Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Landscape with Rocky Cliffs oil painting


Landscape with Rocky Cliffs
mk192 1890 40x29cm
Painting ID::  49055 		Edgar Degas
Landscape with Rocky Cliffs
mk192 1890 40x29cm
   
   
     
Edgar Degas Interior oil painting


Interior
mk194 c.1874 Oil on canvas 81.3x114.3cm
Painting ID::  49167 		Edgar Degas
Interior
mk194 c.1874 Oil on canvas 81.3x114.3cm
   
   
     
Edgar Degas Landscape oil painting


Landscape
mk194 1892 Pastel over Monotype on paper 26.7x35.6cm
Painting ID::  49168 		Edgar Degas
Landscape
mk194 1892 Pastel over Monotype on paper 26.7x35.6cm
   
   
     
Edgar Degas The Rehearsal oil painting


The Rehearsal
mk194 c.1873-78
Painting ID::  49169 		Edgar Degas
The Rehearsal
mk194 c.1873-78
   
   
     
Edgar Degas After the Bath,woman witl a towel oil painting


After the Bath,woman witl a towel
mk194 c.1893-97
Painting ID::  49170 		Edgar Degas
After the Bath,woman witl a towel
mk194 c.1893-97
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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